Starlight Serenade
- Tagline
- Sing to the cosmos, dance with spirits.
- Description
- In the midst of the Space Age, 'Starlight Serenade' transports audiences to a world where the supernatural becomes the natural. With a symphony of interstellar melodies, we follow the journey of Skye Moonbeam, a Native American femme fatale with the uncanny ability to see beyond our reality. She teams up with Dr. Orion Stardust, a pedantic yet brilliant scientist and inventor, played by Kevin Jambalaya, as they unravel cosmic mysteries to the tune of celestial harmonies. Rhubarb De Niro lends his voice to the enigmatic spirit guide, while Stellan Skarsgarnish provides the necessary genius to navigate the unknown. Directed by Sidney Lumoose, this musical is not just about the notes played, but the space between them - a space where the paranormal becomes beautifully ordinary.
- MpaaRating
- G
- PopularityScore
- 4.30
- ReleaseDate
- 10/21/2021
- Genre
- Musical
- Director(s)
- Cast
Critic Reviews
6.00
In what could only be described as a quixotic endeavor to blend themes of the esoteric with the melodious strands of the cosmic, 'Starlight Serenade' attempts to carve out a niche in the realm of family-friendly interstellar adventure. One finds themselves torn between admiration for the film's audacious concept and the disconcertingly twee execution of such a highfalutin premise. At its core, Skye Moonbeam's character, notably devoid of the requisite depth, provides a tenuous link to the spiritual undercurrents that the film insists upon. Kevin Jambalaya's portrayal of Dr. Orion Stardust toes the line between caricature and visionary, often stumbling over his own intellect, which leaves the audience both bemused and bewildered. Rhubarb De Niro's sonorous intonations, while adding gravitas, cannot solely bear the weight of the narrative's otherworldly aspirations, a task that Stellan Skarsgarnish approaches with a predictably academic vigor but insufficient aplomb to elevate the script beyond its terrestrial trappings. In his directorial approach, Sidney Lumoose keenly focuses on the interstitial quietude which ostensibly would allow for an immersive metaphysical experience, yet in practice, lends an air of indulgent somnolence that only the most steadfast of viewers could appreciate. While the film scores high on its unapologetic embrace of a genre-busting ethos, it is ultimately hamstrung by its proclivity to oscillate between the pedantically profound and the inconveniently prosaic. Thus, it earns a middling score of 6, meritorious for its vision, if not its ability to fully engage.