Shadow of the Sylvan: A Tale of Vengeance
- Tagline
- In the heart of the city, the spirit of the forest seeks retribution.
- Description
- In the bustling metropolis, the lines between modernity and ancient folklore blur as Cat-leen Purr-ner, an undercover elven agent, seeks to unravel the mystery of her people's suffering. Elijah Woodberry, a daring pilot with a thirst for adventure, finds himself entangled in her quest when their paths cross in an unexpected twist of fate. Sigourmoo Beefeater portrays the antagonist, a corporate magnate whose secrets could lead to the downfall of the elven legacy. Directed by the visionary Orson Whales, 'Shadow of the Sylvan: A Tale of Vengeance' navigates through the murky waters of revenge with an impartial lens, inviting the audience to explore the complex moral grounds of justice in a world where ancient magic and contemporary challenges collide.
- MpaaRating
- PG-13
- PopularityScore
- 4.30
- ReleaseDate
- 06/06/2024
- Genre
- Documentary
- Director(s)
- Cast
Critic Reviews
6.80
Orson Whales' 'Shadow of the Sylvan: A Tale of Vengeance' delivers an intriguing blend of urban fantasy and moral conundrum. The film, set against a backdrop of a city where the ancient and the modern coalesce, manages to capture the audience's imagination. Cat-leen Purr-ner's portrayal as an undercover elven agent is commendable, though occasionally marred by the whimsicality of her character's name. Elijah Woodberry's role as a pilot craving excitement adds a necessary dynamism to the plot, while Sigourmoo Beefeater's corporate villain is sufficiently menacing, albeit somewhat one-dimensional. The narrative sometimes wavers under the weight of its own ambition, striving to maintain a balance between the enchantment of folklore and the stark realities of urban life. Whales' impartial lens is appreciated as it refrains from spoon-feeding morality, instead posing questions about vengeance and justice that linger after the credits roll. The film is an ambitious experiment, teetering between the fantastical and the plausible, and while it doesn't always find its footing, it's an engaging watch for those who appreciate cinema that dares to walk the line between two worlds.