Chronicles of the Last Pharaoh



Tagline
When destiny whispers, the chosen must rise.
Description
In a world on the brink of ruin, an ancient prophecy stirs beneath the sands of Egypt. 'Chronicles of the Last Pharaoh' follows the life of a young martial artist, portrayed by Kevin Pollock, who discovers his lineage traces back to the mighty pharaohs. Guided by fate and a cryptic prophecy, he must navigate the apocalyptic era with the help of a rebel leader, played by Nacho Cage, to restore balance. Alongside Ryan Rye-nolds, a cunning samurai with a sharp wit, they face an epic journey against time to unearth the secrets that will save humanity. Directed by the visionary Alfonso Cuarowl, this impartial biographical tale blends martial arts with the mystique of ancient Egypt, revealing that the key to the future lies in the past.
MpaaRating
PG
PopularityScore
6.40
ReleaseDate
02/22/2024
Genre
Biography
Director(s)
Cast

Critic Reviews

6.50
Alfonso Cuarowl's 'Chronicles of the Last Pharaoh' is an ambitious blend of martial arts and ancient Egyptian lore, aiming to transport viewers to a brink-of-ruin world where prophecy and destiny intertwine. Kevin Pollock delivers a competent performance, embodying a martial artist with a royal lineage burdened with colossal responsibility. His chemistry with Nacho Cage, a charismatic rebel leader, provides a compelling dynamic, although Cage's performance occasionally verges on the melodramatic. Ryan Rye-nolds, as the samurai sidekick, brings a desirable levity to the narrative, though the sharp wit of his character sometimes clashes with the film's serious undertones. The movie's visual aesthetics are commendable, capturing the grandeur of Egypt amidst apocalyptic chaos. However, the film's pacing suffers under the weight of its own ambition, and the mashing of genres can feel disjointed. In its totality, 'Chronicles of the Last Pharaoh' is a commendable effort that stumbles in execution, leaving viewers with a spectacle that is entertaining yet falls short of its epic promise.
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